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Where it leaves the audience truly feels like it earns the finale of Part One status

Glen Powell can carry a movie. He is a star from a bygone era.

Letting us sit with Robert as he processes what’s happened allows us to identify with that feeling of quiet dignity.  I’m thankful for that.

Hopefully your investment holds out, but poor pacing sluggishly pulled down my investment levels to make this a disappointing affair.

The technical aspects help lift another standout performance from Fraser, making this one of my favorite movie experiences of the year. 

The driving force behind such a visceral performance is rooted in how the film broaches motherhood.

I had a blast, because the story is solid, and the characters and creatures are fun, endearing, and in some cases, downright adorable.

I’m not sure what the future holds for this franchise, but I hope it learns from the good lessons of this film and brings more of this fun.

Nuremberg suffers from some unbalanced performances and, at times, can feel a little like you’re watching the History Channel, but it’s a good film overall.

I have a lot of love for what Linklater has done in looking at Lorenz Hart as an auteur and a genius in his own time.

This is another beautiful fairytale from a master

There’s a lot to like about The Lowdown, despite its lack of excitement.